Sunday, December 29, 2013

Madha Yaanai Kootam - Review


Production              :  GV Prakash Kumar
Direction                 :  Vikram Sugumaran
Cinematography     :  Ragul Dharuman
Music                      :  NR Raghunandan
Lyricist                     :  Ekadesi

To the ordinary movie buff, it is easy to relate this movie with Agni Natchatram, Kizhakku Seemayile, Thevar Magan or Raktha Charitra. To the layman, it is a emotional drama where revenge and loyalties set in motion a chain of events depicted in the movie. I could sense a lot of Mahabharata – which translates to real life event and real people, not some idealized commercial BS. Any story line from this Epic would make a good drama. This movie is plain and simple brilliance – thanks to the director-writer, surprisingly new acting talents and I should add a good lyricist. Music to me showed talent and inexperience.

Talk about uncermonious starts, this one should tops the lists. It starts with a village slang which is difficult to comprehend and the setting is a death of an important guy in the village. It starts as a narrative of his life thru some koothu artists. Takes a few minutes to align our ears, by which time we missed some dialogs. But nothing that reduced the potency of the story that followed.

Lot of taboos broken in this product – all new faces, a weak opportune villain, everyone has some failing, revenge is the strongest emotion portrayed (while containing bloodiness to very few scenes, thus avoiding repulsion). I was surprised with the first half of the movie – the amount of information packed within. There were atleast 8-10 characters – all their profiles were developed in depth and the stage was set by the interval for what then appeared to a gory blood bath. But the story developed further, loyalties changed and tested. Story jumped a few more unexpected hoops, with minimal blood spilled at the end. Felt more real world than fiction.

Climax again reiterated the fact that life moves on. There is remorse and regret in some characters, there is a greater sense of revenge and vested interests in others - a perfect base for a sequel. Direction, dialog and screenplay were awesome to say the least. Thanks partly to the director, the new comers showed so much finnesse and added so much to their characters. This could have easily been a 3.5 hour movie – had it not be for the village slang which was most direct and conveyed the maximum meaning with the minimum possible words. There were experiments done on cinematography – fixed camera angles, long uncut shots to mention a few. Music and BGM were ordinary and probably the only low point for me. Lyrics fit the melody beautifully well – simplicity of words and a nice fit to the rhyme - felt hints of kannadasan(me a total fanboy).

Flawless and concise first attempt. Hats off to the producer and director.

PS: saw the review in The Hindu – totally outrageous, stupid and opinionated. Does the reviewer have any sense of style or technique? May be he walked into the theater to escape a miserable family...